melancholic, despairing and hopeful, first class conscious Roots Reggae with wailing organ, heavy rhythms, dreamy vocals, and a message
hatte ich mal über Taj Weekes geschrieben. Hier ist das neue Video vom Album “A Waterlogged Soul Kitchen”. Professioneller und leider etwas weichgespült im Vergleich zu tunes wie “Hollow Display” (charmant-dilettantisches Video hier), das fette, blubbernde “Angry Language” oder “Orphans Cry“, trotzdem noch sehr gut.
Im Record Collector ist eine wunderhübsch aufgemachte Liste mit 10 Toptunes pro Jahr, das Jamaica unabhängig ist, erschienen. Die Auswahl ist nett und die Preise wirken realistisch, was an der Mitarbeit von Michael de Koningh und Mike Atherton liegen dürfte.
Jamaica was declared independent on 6 August 1962. Celebrations of the nation’s 50th birthday – in typically exuberant style – have been going on all year. Despite the best efforts of its athletes, writers, artists, chefs, comedians and actors, and the legions of less celebrated but no less vital figures who have exported their labour worldwide, there is no doubt that it’s the music of the island that has really made Jamaica’s mark on the world.
SINGER Ken Boothe is getting ready to release Journey, his latest album. Recorded and produced at his Kingston home studio, the album, according to Boothe, is a statement on his life. [...] Known to most fans as a rocksteady and lovers rock artiste, Boothe goes contemporary, trying some dancehall on Journey. “There is nothing wrong with dancehall music. It’s a 80/20 thing,” he said. According to Boothe, 80 per cent of the genre is good, but the problem is the 20 per cent. “That 20 per cent can mess you up,” he said.
Jamaica’s greatest new artist of the last couple of years is going to release a LP on Peckings, soon. I guess the tunes are going to be similar to what Tarrus did for Peckings on 7″ (Chocolate, on the “Hold on” rhythm by the Maytals, Leslie Kong production).
“People have always come together to move to music. In the process communities have been created, social divisions challenged, pleasure exalted over work and a billion relationships have blossomed. At the same time dancing bodies have often been subject to regulation – rules about when, where and how they can move, rules about who is allowed to dance with who, rules about what dancers can wear and put inside their bodies… That, in essence, is the ‘politics of dancing’.” source: History is made at Night